Anyone who cared about science fiction, fantasy or action movies from the 1970s to the 1990s, whether they knew it or not, grew up in the work of animator and special effects master Phil Tippett.He is a legend in the industry, and gained fame for his stop-motion animation works in the original Star Wars trilogy, starting with the design and shooting of Chubacca’s holographic chess Star wars Animate Tauntauns and AT-AT Empire Strikes Back. His pioneering work on practical and digital dinosaur effects Jurassic Park Won him an Oscar and set him free Open your own studio. This also makes him Long-running memes: The movie called him the “Dinosaur Supervisor”, which caused the internet jokes to notice him Did not finish one of his jobsBecause the dinosaur escaped and started to eat people.
But those who know his work from aliens like bugs Starship soldier Or biological effect willow Or dragon Dragon heart Never seen his work like they would see Madness, His 30 years of love freeze-frame labor. Tippett started shooting this film as a personal project in 1990 and then abandoned it when he started working Jurassic Park, Because the time commitment required by the movie. But at the urging of some friends, he finally restored it. They saw his early shots and the puppets he created for the project.
In the end, he Crowdfunding projects on Kickstarter, Publish chapters of the movie for subscribers after the work is completed, and work with volunteers and industry friends behind the scenes. The completed 82-minute movie is a series of nightmare episodes without dialogue.An unnamed character wearing a gas mask (called “Assassin” in the film festival’s notes) sneaked into what seemed to be hell and went through a series of disturbing horrors in the search for a mad scientist. Depend on Repurchaser with Sid and Nancy Director Alex Cox. Tippett said that these visual effects were partly derived from his research on artists Hieronymus Bosch and Peter Bruegel, but the nervous and anxious sequence, humanoid and demonic creatures tortured and destroyed each other, had more contemporary influence.
“I was inspired by keeping up with the news,” Tippet told Polygon in an interview not long ago. MadnessScreened at Fantastic Fest in Austin, Texas. “Child, every day there is a lot of news about Bosch and Bruegel. This is what the artist does-you can’t bypass the environment, around your factory, you don’t even realize it. All of us live in Experiencing all these happenings in a state of extreme anxiety. This is a great topic.”
Tippett said the original 12-page processing of the 1990 iteration Madness It is not so much a script as a description of the tone. “There is a station inside. I know where the stop sign is.” He said that the industry friends and assistants who participated in the project with him did not really discuss the meaning of the movie’s weird and disturbing scenes, but they were “like Joseph Like Campbell, there is a fabulous connection between us when we work. “Some of the most complicated scenes—such as the battlefield where an assassin crosses, where half-melted soldier corpses are piled in high, crumbling piles—he The team of assistants spent three years building, working on weekends and evenings.
“I have a lot of volunteers, some of them are skilled artists who work for me, and they donate their time,” Tipite said. “Then I will let college and high school students see me come to the local area to speak, and they will be volunteers. So I came up with a way for all these people to do the heavy work, which may need to be completed forever. If I I have to do it alone. I won’t do it because it will only irritate me. I don’t have time.”
Although the effect technology has undergone tremendous changes in the past 30 years, Tippett says that his technology has Madness It is not much different from the way he animate “Star Wars” holographic chess in the 1970s. “I tend not to like to reinvent the wheel, I have done this many times,” he said. “Every time technology changes, everything changes, so you have to relearn things, but these are very old technologies, and digital technology allows us to use these technologies cheaper.”
He did use numeric characters in one case. “A shot Madness I filmed it more than 30 years ago, and it needs to have some little people like ants,” he said. “And because of the scale, I can’t actually make them.This is a big miniature set, but I need characters [indicates ant size] That Big. So we made these digitally for that shot. You do whatever you need to do. I think of it as a collage, just mixing and matching things. “
As for how his anxiety about the world is reflected in the movie, Tippet shrugged. “Well, nothing is intentional,” he said. “You know, everything comes from the zeitgeist. You don’t even think about it—just like breathing. This is the world you live in. I almost live in peace with the world and the people in it. I hate humans very much. I don’t treat humans. Hold any hope, so this is also an important part of the movie. I just didn’t see us going on forever. I think we will be lucky in the next thousand years.”
He said that although he felt that the film was deeply influenced by the anxiety of Donald Trump’s era-“I live in Berkeley, so you know where my politics is”-trying to convey any kind of specific political message is “fascist”. Film production.” Although he likes older political films—”I’m just rewatching Fail safe with Doctor Strange, And they have some great political moments”-he believes that most movies that try to convey a specific agenda are boring and meaningless.
“Generally speaking, Everything It’s too sweet for me,” he said with a smile. “It’s too Hollywood, you know? It just self-mates too much, and I am not interested in it at all. The movie becomes very boring. […] It’s just about money. This has nothing to do with skills. This is not about craftsmanship, but about greed and the American way. This is Coca-Cola, you know, get as much money as possible from your vast resources and make more money to make more garbage. “
Despite his long resume, Tippet said he was “completely fed up” with modern film work. “Starship soldier It is the last one I have fun or enjoy.I mean, the rest is [raspberry noise]After that, for everyone, it is going downhill. “
But he still looks back on his Star wars Days full of enthusiasm and affection. “Oh my God, we are in Pig Paradise, the children in the candy store!” he said. “We are all in our early 20s. Almost none of us is 30. [Cinematographer] Richard Edlund is the oldest person in the shop. This is exactly what we have dreamed of doing since we were young.
“I did a TV commercial for my first job in Hollywood. It’s a great place to study. It’s like a postgraduate review. You have to do all of these things very quickly. We have great tutors. An interesting time.
“Then Dennis Mullen and Ken Ralston got a job as a night crew in Star Wars. I was introduced and helped with the tavern scene and chess work. Chess started to take off. So there is The Empire Strikes Back with Return of the Jedi, with [giddy speeding-up effect noise]. I never worry about work because there is no competition. I can usually see a mountain of projects because the demand is too great. When there is a lot of peace, it is only a matter of time before someone calls. None of these things made me anxious. “
He said that this is the main reason why he no longer participates in the studio personally because he has assumed the main role of effects director. “I can’t stand it anymore. There are too many micro-managers. It was not like that when I did it. cavalry or RobocopOr working with George [Lucas] Or Steven [Spielberg]. This is almost one-to-one. You just work with the filmmaker and try to translate the content on the page and his direction. This is the job. I didn’t have the opportunity to do my own stuff, but the stuff I worked on for all other people’s projects was really exciting because they are all different, you know? One is an alien, the other is a robot, and the other is a giant bug. What the hell, do you know? This is a great job! “
Madness Of course it shows the desire for diversity. Almost every scene introduces a new creator or scene or scene in the dazzling horror, destruction and consumption. When asked who this movie is for in the end other than himself, Tippet smiled.
“I have many different ways to avoid this problem!” He chuckled lightly. “But I think the best, most accurate, is Madness It is an experience. This is not like a movie. It does come from the same place as the biblical vision. “
This method explains a lot about MadnessDo whatever you want, the feeling of stream of consciousness, and many of its images seem to come directly from the darkest place of the self. “That movie came from my imagination, I can see it in my mind,” Tippet said. “I can think of things in my mind as three-dimensional objects and revolve around them. I make things very easy. I was very talented when I was young. I am now 70 years old and I have just accumulated a lot of skills. I just do everything by intuition. Thing. I don’t even think about what animation I’m doing. I basically only know what it needs to do.”
Madness A series of film festival dates are currently being broadcast around the world.Learn about the film’s further release plans at MadGodMovie.com.