Rurouni Kenshin: Final Review: Japanese Action Saga Ends with Prosperity


Rurouni Kenshin It is one of the most popular manga series in the world. The story began in Japan in the 1860s, and the end of Japan’s civil war marks the transition from feudalism to modernism. Legendary warrior Kenshin Himura abandons his violent path and wanders the land in search of atonement. But his past has caught up with him, and he must once again use his swordsmanship to help the innocent.

Rurouni Kenshin It was only a matter of time before the anime series became a success in the mid-1990s and the story continued to be live-action. Warner Brothers Japan has supported this project and turned it into one of Japan’s most widely regarded and recent franchises.First Trilogy — 2012 Rurouni Kenshin Part I: Origin And 2014s Kyoto Inferno And The legend is over — Widely available for digital rental.And Rurouni Kenshin: FinalSaga’s fourth movie, which was screened in Japan in April 2020, is now available on Netflix. So what makes this franchise so special?

Kenshin movies stand out for several reasons: their compelling stories are full of adorable characters, and they take place in a rich world drawn from true Japanese history. Bringing the image of a manga to life through excellent production design and cinematography, this film finds the right balance between visual naturalism and the wonders of pure mythology. They are centered around the attention-grabbing protagonist, introduced as the unstoppable force of war that wants to stop the battle.

Kenshin’s arc through the trilogy first attempts to embody his guilt in Japan and atone for his sins. Kenshin feels that he has lost part of his soul every time he kills an enemy. So now, the former samurai wields a “sakabato”. The sakabato has a sharp blade that faces inward rather than outward. Weapons allow him to use his combat skills to protect people in need without killing them again. The sakabato is an essential part of the myth of the series and serves as a metaphor for the core dilemma of the sword. The sharp edge always reminds him of his abilities, which threatens to cut him rather than his enemies. This is a powerful metaphor for what violence does to those who choose to harm others.No wonder when the blade breaks Kyoto InfernoAnd so is Kenshin’s will.

Photo: Warner Brothers Japan

Takeru Sato plays Kenshin Kamen Rider Den-O Fame that played the biggest role ever in Kenshin. He gives Kenshin unparalleled combat agility, but his attitude also has an irresistible sweet side. He is surrounded by a large cast of talented actors, some of whom offer impressive performances, especially on the villain side. For example, Tatsuya Fujiwara plays the uneasy Makoto Shishio, a mirror image of Kenshin, who was betrayed by the imperialist forces who helped him win during the civil war. He is the main adversary of the second and third films and one of the most impressive film villains of all time. He is burned alive, bandaged, and uses a serrated sword that cuts open the human body for years to accumulate fat and ignite with the weakest sparks. Just as Kenshin and Sakabato are one, Shishio and his burning weapons represent each other as well.

There’s a lot to say about Kenshin’s journey from a guilty wanderer to a man he’s made by his last act. The legend is over.. His story can be easily understood as a metaphor for the struggle to understand Japan’s past, especially its role in World War II. Kenshin chose to abandon violence rather than defeat as in Japan, but his transition to a less warlike way of life sets the central theme of the series: from warrior era to civilization. It comes with a transition to the times, and the necessary complete social reforms. All three films in the original trilogy see the old trying to catch up with the new, or trying to make it old again. Kenshin can only end his journey when he realizes that the future is about changing the elements of the past, rather than eliminating or forgetting them. Live-action films never fully develop the political side of the story, but by default they have character writing and behavior in government and interrelationships. Individuals become political when they support their ideals and talk about making better changes at the individual level.

This series constantly questions whether violence is an inevitable part of social change, whether past methods can be used to protect the future, and how they can be used. These questions resonate through action design that pushes the boundaries of what Japanese blockbusters can offer. To direct the action, filmmaker Keishi Ohtomo commissioned a thrilling high-octane HiGH & LOW franchise, and most importantly, a talented stunt team led by Takahito Ouchi, including action choreographer Kenji Tanigaki. .. The latter has been learning in collaboration with legendary Hong Kong action star Donnie Yen since the late 1990s. Ballistic kiss From game-changing to Blade II flash point To Dragon And in the future Raging fire..His work also appears in the American GI Joe movie Snake-eyes, Scheduled to be released this summer.

Tanigaki brings his A-game to Rurouni Kenshin’s story, providing a whole new kind of cinematic dynamics. Tanigaki embraces the 100-year-old tradition of sword fighting (a “calligraphy” style action cinema defined by the movement and elaborate choreography of a sword fight camera, which began in the 1920s) and how dynamic sword fighting works. It pushes the limit of what can be done. Spread the flow of action to every part of the hero’s body. Kenshin fights not only the blade, but the entire being. The use of speed and the environment also plays a major role in how these films update Japanese action films, pushing actors to the physically possible limits. Wires are used to amplify movement and subtly step into the superhuman realm of the film, but not enough to break the suspension of disbelief.

Camerawork is equally commendable, adding to the dynamism of battle and adding a layer of meaning to photography.When Kenshin was first introduced origin, Tanigaki and his team match the movement of the camera to the character’s momentum and use editing to transform his power into every part of the movie world. They stay on most of the almost miraculous original trilogy courses. The first Kenshin trilogy is one of the greatest achievements of the decade in terms of manga-adapted action films. Creators obviously had to make difficult choices about story condensation and character rationalization, but the creative team brings this world to the screen with heart and compassion.

FinalThe fourth in the series is the Grand Finale. 5th movie, Beginning, Currently in Japan, but the day before. origin.Final In 1879, a group of police officers pursued and attempted to arrest a mysterious person associated with the Shanghai Mafia. The criminal Enishi Yukishiro effortlessly crushes them with a show of power that establishes him as a new adversary. Played by Mackenyu Nitta, the son of the legendary movie icon “Sonny Chiba”, it brings concrete charisma to the persona on the screen. His focused and malignant mindset contrasts with Kenshin’s new personality, trying to live in a more relaxed and peaceful time.

But peace is still the ideal utopia for Japan’s greatest swordfighters. Yukishiro sends his minions after Kenshin and leads to a big action scene 30 minutes ago. As with the original trilogy, cinematographers Takuro Ishizaka and Keishi Ohtomo have created stunningly crafted images, and Kenji Tanigaki continues to look for new ways to surprise the audience with his choreography. Set at night, this first battle makes the best use of the destructible set and uses lighting to focus the viewer’s eyes on the unusual weapons and movements of Kenshin’s enemies.

Like the original trilogy Final As a mirror of the Japanese government’s anxiety over its involvement with Taiwan and South Korea and rising tensions with China, it will use Kenshin’s struggle to settle into a peaceful era. For both the character and the country, the muddy waters of the past have risen again, jeopardizing the newly discovered stability of the present.

But, Final, The stakes are much more personal than before. After 14 years of exile, Yukishiro returned to take revenge on Kenshin. Kenshin saw him kill his only love, his sister Tomoe. Beginning Going back to that time, focusing on how the famous warrior suffered a cruciform facial wound, Final Fixed in the story of lost love: the romantic connection between Kenshin and Tomoe, and the brotherhood connection between Enishi and his sister.

Final He spends a lot of time observing each other’s complex emotions, focusing on his character, especially with regard to his charm to Kenshin’s best friend Kaoru Kamiya and the former assassin. Again, the actors perform formidable performances, switching between intimate scenes that convey emotions through their eyes and set pieces of roaring action.

In the final round of Rurouni Kenshin, Kenshin became bloody alone and bowed his head.

Photo: Warner Brothers Japan

Given the colorful companions of Yukishiro, such as gangster assassins using sickle-like weapons, moaning murderers armed with metal claws, Gatling guns, and triggering maniacs, this chapter is fraudulent. The gallery is greatly enriched. These villains and other secondary characters aren’t exactly fleshed out, but the action scenes built around them stand out.

About halfway Final, One exchange beautifully embodies the core theme of the Rurouni Kenshin movie. The defeated assassin pleads for death after Himura wins the battle with one of Yukishiro’s minions:

“To revive the emperor, you stole the pride of our samurai. You denied us … a fine death. So now … with those hands … give it to me now! That Minutes, you owe me. “

The transition from feudalism, which helped Kenshin complete in Japan’s civil war, seemed to be for greater benefit, but like any other revolution, it was far from bloodless. And it suddenly isolated the entire warrior class, which was an integral part of the country’s cultural and social structure. In the process, Japan created the devil of the future. The resentment when they were forced to abandon their pride, norms, and way of life. This resentment has survived the passage of time, as the pride of Japanese warriors lives on in the cultural consciousness of the country.

However, Kenshin rejects both the opponent and his resentment. “Living in a new era,” he replied, showing Saga’s stance in favor of hope and change.

In addition to stunning images like aerial shots of hot-air balloons floating in the burning cityscape of Tokyo, the coaching team provides an exciting final act full of energy and enthusiasm. A duel between Kenshin and Yukishiro is expected, but it marks both athletic and emotionally.

Through a pure passion for cinema, it exudes, Final The story of the Rurouni Kenshin movie comes across as a labor of love that proves to be self-reliant without overshadowing the legacy of the source material. All four films are published on Netflix outside the United States, and in the regions available, it could be far worse than showing the best Japanese action movie series of the last decade. .. Beginning It was released in a Japanese movie theater in June 2021 and hopes to join the rest of the story in a digital release shortly.

In the United States, Rurouni Kenshin: Final It will be released on Netflix on June 18, 2021. Rurouni Kenshin: Origin Is streamed on Funimation, and all three movies from the original trilogy are widely available on digital rental services. In some areas, all four Kenshin movies are available on Netflix.