The endless technophobia of horror movies is boring-what’s worse, it’s not terrible

Too many good things will become boring after a while. People who work in pizzerias eventually start to hate the smell and taste of pizza. The first challenging and exciting video game acquisition task became rote after enough repetition. If it is not updated frequently, the horror metaphors that can effectively scare off our pants when we are young will start to become obsolete. This is part of the reason why horror movies are an extremely sensitive genre. This is why one of the most popular horror metaphors of all time has become exhausting.

Humans are only afraid of some very basic things, and horror explores these ideas over and over again. But the form is constantly changing and evolving, either reflecting the pressure in people’s hearts or imitating the last great success in this field. This is an old model.In the years after the first atomic bomb test in the 1940s, the number of horror movies has increased dramatically Monsters generated by radiationThe space race of the 1950s turned American attention to the stars, which led to a decade of horror movies about alien invaders.The murder of Charles Manson inspires micro-trends in horror movies Relegated hippies to drug addicts and ferocious cultists. this Abu Ghraib scandal With George W. Bush Sanctions torture Very much in line with the trend of horror movies obsessed with Americans Tortured in extreme detail. Terror often strikes in waves, chasing anything that people may have just been afraid of.

In the 2000s, the rise of digital cameras drove the discovery lens trend of horror films. This trend usually focuses on the horrible, otherwise invisible things that cameras may capture. Now they are cheap, light, ubiquitous, and capable of running. A few hours at the lowest cost. That era seemed to mark a turning point. Miniaturization and computerization accelerated, technological innovation accelerated, and the terror subtype of “handling social anxiety” suddenly shrank dramatically, until it was almost entirely focused on technological terror.

Almost every emerging technology prompts horror movies (or horror scenes in other types of movies) to determine whether it can be dangerous or even killing. Mainframe computers in the 1960s became an important part of space flight? good, What if a computer in space wants to kill us? The news cycle of the late 2000s fussed over genetic engineering and patents? good, What if genetic engineering wants to kill us? Scientists in the 2010s are talking about artificial intelligence projects? good, What if artificial intelligence wants to kill us? Children now spend too much time online? Well, if they use these connections to build a community of like-minded young people, they have a common interest, support and nurture and educate the community, which was not accessible to the generation before them? Haha, just kidding! What if online wants to kill us?

Disturbance with every change in culture or society has always been the bread and butter of horror. There is no confrontational horror type how to deal with and reflect the audience’s subconscious fear of change and the future, this is just another fear of the unknown. However, because it pays less attention to broader social fears and pays more attention to specific technological developments, it has become more and more rote memorizing and lack of insight into terrible things.

As a society and a species, we are facing so many threats that trying to turn innovation into a threat is tiring. In abstract terms, it is great that horror creators keep trying to reinvent this genre, chasing new panics and novel threats. However, the pleasant demonization of every possible aspect of online life has become superfluous and compelling.Just in the past few years, we have had something about Killer drone with Killer laptop, Killer Uber Driver with Killer Uber Passenger, Killer hacker with Killer Twitch live, Killer VR therapy with Killer online role-playing game, Killer zoom call with Killer site. Even Siri wants to control humans, Lure us to kill. Horror film creators are convinced Killer app Not just a stupid pun, they are a huge threat because they come in Various forms, and All kinds of deceptive baits Put us in trouble.

Even when young people of this particular horror type face old-school ghosts, demons or murderers, it is still because of the rise of social media and online communities.There seem to be countless movies about video bloggers, influencers, YouTubers and Instagram users who let their desire for photo manipulation and followers lure them against everything Supernatural threat arrive Sadism torturing happiness, Even Psychotic, AirBnB host obsessed with ratings. This is just another way for horror creators to imply that the Internet wants to consume people’s souls by attracting them to Dangerous places they have never explored If they are not trying to please restless, content-hungry audiences.

The problem is that technological paranoia now feels lagging behind the times. Smartphones and laptops have seamlessly become part of everyday life. Stories that try to portray them as evil, sentient monsters will only feel weird and out of touch. Considering how social media companies spread misinformation and manipulate politics, or simply waste our time and increase our dissatisfaction and anxiety, they are full of ordinary, mediocre evil threats. Compared with the way the real world changes society, reimagining social networking sites and group chats as portals to hungry ghosts and ancient evils feels trivial, small, and vague. Trying to incorporate every aspect of online life into one’s own horror movies can lead to a ridiculous particularity. YouTube may be the downfall of society, but it may not be because YouTube users have summoned a demon in order to get more likes and shares.

Perhaps the problem is that in an era of eager novelty, dangerous horror movies that focus on novelty and innovation do not work well. In this era, people desire every new convenience and entertainment at the same time, and are a little tired of accepting them all. , Given how fast one person follows another. When a new invention is considered obsolete a month later and replaced by something newer, it is difficult to properly deal with its dangers. What is really scary is that terror must use the fear of the unknown-although we may find the inner workings of mobile phones, tablets or networks so mysterious, we no longer really think they are unknown.

With the accumulation of applications and technology-driven services and equipment, the horror type trying to find some form of horror in absolutely all of these began to feel like a boring stereotype. “The old man yelled at the cloud” A reaction to the world, not a way of dealing with real fear in the spirit of the times. We are not as afraid of technology as we used to be.It’s a setback, of course, but it’s also a friend and confidant, better than yesterday’s werewolves, zombies and Giant predatory radioactive ant.

We are unlikely to see the end of horror stories that exploit any new things and differences. But it is doubtful whether we will see a sharp shift in focus, from new technologies to things that really cause conflict, anger, and fear in the United States.We have seen more horror stories about wealth inequality and civil strife on the screen, such as the purge movie, Jordan Peel’s US, Even Netflix is ​​a big hit Squid game. In the process of a series of well-known police killings of unarmed black citizens, the fate of the blacks is also the fate of the movement. Racism and ethnic conflict, And the danger of becoming black in the United States. Maybe it’s only a matter of time before boring technological fears are buried for a while, replaced by more stories about the social changes we as a society are struggling to face.At least until Facebook launches its augmented reality “multiverse” Where should we all live. Now, this technology actually sounds scary.