Why the Hunger Games-induced YA Dystopian epidemic finally crashed and burned

In the 2010s, the YA Dystopian genre rose rapidly and fell rapidly as well. hunger game And its followers dominate headlines and popular culture.The dystopian boom has been claimed to have been inspired by irony and anxiety Under the attack of 9/11But for those of us who became teenagers during the era of YA’s obsession with dystopia, the film played a particularly different role. They fostered distrust of the government, expressing and amplifying that millennials around the world were fed up with tyrant leaders. hunger game In particular, it helped disseminate Lois Lowry’s 1993 novel book, which is already a prosperous literary sub-genre. Donor In Scott Westerfeld’s Agries series that shapes the dystopian boom.And the waves hunger game Copycats have oversaturated the market and killed the epidemic — or so popular stories continue. However, there were other reasons why YA’s dystopian boom was over, and they were built into the premises and were running all the time.

The epidemic certainly contributed to its end. In 2014 alone, four blockbuster YA Dystopian films were screened in theaters. The Hunger Games Mocking Jay — Part 1, Maze Runner, Divergent,and Donor. But as the wave of new superhero movies over the last decade has proved, saturation isn’t enough to kill the genre. The YA Dystopian genre died because it didn’t evolve. The same metaphor is drawn from book to book, and from movie to movie, all characters of the same type suffer from the same general oppression and experience the same teenage love triangle. hunger game Chords were struck for its weird themes and ways of increasing anxiety about technology, capitalism, imperialism, inequality in wealth and power, but its followers mainly added gimmicks and various types of violence. And called it a day.

Photo: Lions Gate

hunger game The story of a young man like-vs.-from a similar adult Battle Royale, But added a new layer of media promotion and authoritarian structure. The author, Sae Yamamoto Collins, was inspired by Greek mythology, reality TV shows, and child soldiers, and used those ideas to texture the book. Her main character, Katniss Everdeen, is friendly and has feet on the ground. She doesn’t want to be a revolutionary or a hero. I just want to keep my sister Primrose safe. Her deteriorating mental health was realistic and almost unprecedented in a genre full of bold teenage heroes who experienced the most horrific adventures completely intact.

Following the Hunger Games series, subsequent YA dystopian films weren’t so richly realized, and creators didn’t seem to care about the traumatic experience of the young protagonist. It’s unrealistic to make a movie about teens defeating tyrants, but they rarely focus on their emotions. Katnis wasn’t endlessly stoic — Collins allows her to be defenseless and learns that emotions are a sign of strength, not weakness. Many of the subsequent smash the state dystopian stories have avoided focusing on such emotions. Alternatively, they simply followed the pattern of anxiety and anguish Katonis without finding new areas to explore.

The Hunger Games series focuses on ending the brutal regime of executing children for sports that require a revolution and a complete restructuring of society. But as if it solved all the problems of society, the story always stopped shortly after the collapse of the latest oppressive regime. While real teenagers suffer from their idealism and desire for a better world, fiction is that systematic oppression is simple and easily resolved in a standard good-to-evil battle. He told them that anything that came after the battle was interesting or related. The story of how these ectopic societies were rebuilt is more novel and fascinating, but YA Dystopia had no room for such thoughts or thoughts.

After the injustice was overturned and the fascist villains were defeated, these stories had nowhere to go. They all brought momentum and excitement to action, but some of these stories never thought about what young adult readers would want to know: after one cruel leader left: What’s coming to Injustice rarely ends with the death or secession of one unjust ruler, but YA’s dystopian story tells the story of the next world order and how it works differently without blaming people. I rarely consider what to do. Revolution, apocalyptic survival, and social restructuring are fascinating topics, but most YA dystopian stories explore these areas, with the exception of a brief coder about the future PTSD of The Hunger Games Katonis. not.

Maze Runner is a Maze Runner, standing together as if scared

Photo: 20th Century Fox

And, just as the story of YA’s dystopia wasn’t particularly interested in the future, they were also rarely interested in their past, or even their present. They rarely sought deep into their society beyond declaring them evil, violent, and dominant. We don’t know much about the destructive regime of the Maze Runner and Divergent Series — we just know they’re bad. The execution of the dystopian film, in particular, only provided the fastest and shallowest explanation of why the government was driving children into a maze or killing each other.The Capitol’s desire to terrorize its citizens with the Hunger Games, or Maze RunnerFocuses on population control and disaster response. These are political excuses for mass slaughter, but not subtle excuses.

At the same time, YA’s dystopian story has always been too dependent on hero models. There, one teenager causes a rebellion and does most of the work to defeat a totalitarian nation. It’s an empowering vision, but it feels like an outdated hollow model to young adults engaged in real-life collective action. We are undoubtedly living in the dystopian era as the world of authoritarianism and fascism changes. Both in America And In the world.. And resistance to it must be cooperative, not dependent on one chosen hero. Inequality and oppression are caused by institutions and are not a single villain that can be easily defeated. The simplicity of the story of a brave young man stopping a monster and revolutionizing society soon began to feel like a simple fantasy.

And part of the way these dystopian fantasies avoid reality was to avoid the real and relevant problems faced by teenagers. Katonis, DivergenceTris, and Maze runnerThomas is all teenagers, but the main concession in their story to their age is the small love triangle they face. Their stories explore issues related to technology, destruction of the environment, and government control, such as interacting with innovative ways teenagers use technology and educational systems designed to shape it. There are no clear similarities between the ways you do it. Teens experience many emotions as we grow up, but these dystopian films rarely feel genuine about teenage anxiety and anxiety. Their heroes felt like ordinary adult heroes played by young actors.

And, of course, non-whites are rarely present in the wave of dystopian films. Some BIPOC characters are never fully developed and the audience never learns about their story.Studies show that white letters Much better represented in the YA literature May help explain how some fans were weird than others Annoyed by black characters in The Hunger Games Movies — In such a whitish genre, not only did they expect nothing else, but they couldn’t handle it when they arrived.

Shailene Woodley and Theo James face divergent ropes and nets

Photo: Lions Gate

These dystopians suggest what is happening in some post-racial utopia, but non-whites reach it by suggesting that they do not exist in dystopian societies.Despite Jennifer Lawrence and Shailene Woodley Dominate the genre with the message of women’s empowerment, They still live in a fantasy world that amplifies real-world problems such as government overkill and serious inequality, but others faced by women and teenage girls, such as sexism and harassment. Has barely addressed the real problems of. Pretending that none of these things exist feels shallow and wrong when we know from actual experience that the oppressive regime actually exacerbates the problem.

But who knows, the genre may come back in a new way as the march against the new fascist regime continues. Trends come and go, but tend to be periodic. The second or third time is likely to have evolved. As the wave of diversity spreads from fantasy to romance to science fiction in a variety of film and literary genres, the YA dystopian genre has the potential to revive in new ways. As BIPOC creatives grow in the industry, you may get a unique YA dystopian movie with more colored characters.

Not everyone wants to live or imagine a dystopian society. The dystopian epidemic may be partially diminished as young readers and viewers show some positive attitude and are ready to accept non-fantastic and simplified problems and solutions. .. But they may be working on their own now. Young people face a future of ectopic real-world affairs, from the climate crisis and the resurgence of authoritarian governments to national problems such as inter-denominational violence, war, white supremacy, and terrorist attacks. On the other hand, we are developing increasingly sophisticated political campaigns. Ultimately, it may be possible for the author to draw inspiration from that reality and revive the genre in a more compelling and compelling way.